The Adventures of a Camera Jib and Those that Carry It: Part 2
August 23rd, 2008 by Colin Witherill
Motivation comes at strange times. For me, the gears began turning sometime before 5 a.m., just after setting up a sunrise time lapse. As I crawled back into bed, I noticed Eric sleeping peacefully on the bunk above me. “Didn’t Eric say we could abuse him for any task and he would still by psyched to be in such a cool place? … why yes, I think he did … how far could I take this generosity?” As I continued this internal monologue, working out the details, the size of the pack Eric would be carrying got larger and larger. Whenever my motivation seemed to waiver, I would quickly imagine one less heavy item in my pack, moving it to Eric’s. Over breakfast, I broke the news.
One mile and 100 yards from the parking lot of the Monteverde Reserve lies the tree where Greg chose to hang his cloud collecting harps. The cloud collectors play a key role in data collection for Greg’s research and thus were a high priority on the shot list. The remote location, combined with the aerial activity that would take place made it a perfect location for the camera jib … I should rephrase that. The action of stringing the cloud collectors would be great to capture with the jib. The remote location was in no way conducive to the latter. This is where Eric would come in to play.
The day before the harps were scheduled to be hung was completely devoted to lugging the jib to location. Tarps, ropes, tripods, sections of jib framing, cables, and weights were stuffed and lashed into and onto packs. As Eric and I hefted the first of two 70 lb. loads onto our backs, tourists stared and guides shook their heads. We were asked if were going to the moon, and even pointed out as a rare species in the forest. The trail starts off on a nicely groomed path, rolling over several small ridges and valleys. At the half way point we veered off on a trail designated for the more adventuresome tourist. On dry days with a light load some caution should be used on its muddy and loose stepped slopes. The rain and the load, of course, did little to improve its condition. At the one mile mark we rested for a moment, took a deep breath and turned right. What is to the right you might ask? Well, not a trail. In fact, on initial inspection, one might say a wall. 100 yards of wet, densely vined, heavily foliated, closely packed limbs and downed debris lay between us and the desired destination. Most of the time,you cannot see your feet and thorned palms threatened any mislaid hands. Thoroughly drenched in a nice mixture of sweat, mud and rain, the packs crashed down at the base of the fog harp tree. One more trip and the camera jib would officially be “on location”.
The shoot day, while very busy, was extremely successful. All four of the harps were hung from the tree as layers of cloud raced through the canopy. Operating the jib was cramped amongst the forest, but in a way, we were trying to capture just that effect. Upon the day’s completion, we wrapped the jib carefully in tarps and headed off down the trail. Too much work had gone into its transport for just a day of shooting. Plus, there was a really cool looking stream nearby that looked like it could use a little camera time….


